| Flora C. Mace |
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| 1949 | Born; Portsmouth, New Hampshire, USA |
Education |
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| 1976 | M.F.A. degree (Sculpture/Glass), University of Illinois, Champaign, Illinois, USA |
| 1975 | University of Utah, Salt Lake City, Utah, USA (graduate work in glass) |
| 11973-74 | Goodwill Ambassador to Norway on International Farm Exchange Program |
| 1972 | B.S. degree (Fine Arts), Plymouth State College, Plymouth, New Hampshire, USA |
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| Joey Kirkpatrick |
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| 1952 | Born; Des Moines, Iowa, USA |
Education |
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| 1979 | Pilchuck Glass School, Stanwood, Washington, USA |
| 1978-79 | Iowa State University, Ames, Iowa, USA (graduate work in glass) |
| 1975 | B.F.A. degree (Drawing), University of Iowa, Iowa City, Iowa, USA |
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| Solo Exhibitions (Mace/Kirkpatrick collaborative work)
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| 2012 | AMK Gallery, Toledo, Ohio |
| 2011 | Freisen Gallery, Sun Valley ID |
| 2005 | Ronna and Eric Hoffman Gallery, Lewis and Clark College, Portland, OR Museum of Art, Washington State University, Pullman, WA |
| 2003 | Hawk Galleries, Columbus, OH |
| 2002 | Habatat Galleries, Chicago, IL |
| 2000 | Habatat Galleries, Boca Raton, FL |
| 1999 | Ledbetter/Luck Gallery, Memphis, TN |
| 1998 | Foster/White Gallery, Seattle, WA |
| 1997 | Tempe Arts Center, Tempe, AZ |
| 1995 | Foster / White Gallery, Seattle, WA Imago Gallery, Palm Desert, CA |
| 1994 | Riley Hawk Gallery, Columbus, OH |
| 1993 | Brunnier Art Museum, Ames, IA |
| 1992 | Riley Hawk Gallery, Cleveland, OH Foster / White Gallery, Seattle, WA Fay Gold Gallery, Atlanta, GA |
| 1991 | Valley Museum of Northwest Art, La Conner, WA New Art Gallery, Paris, France |
| 1988 | Kurland / Summers Gallery, Los Angeles, CA |
| 1986 | Habatat Gallery, Lathrup Village, MI Heller Gallery, New York, NY |
| 1985 | Foster / White Gallery, Seattle, WA |
| 1984 | Habatat Gallery, Lathrup Village, MI |
| 1983 | Kurland / Summers Gallery, Los Angeles, CA Foster / White Gallery, Seattle, WA |
| 1982 | Heller Gallery, New York, NY |
| 1981 | David Bernstein Gallery, Boston, MA Galerie der Kunsthandwerker, Hamburg, West Germany |
| Selected Group Exhibitions (*catalog) | |
| 2012 | Pilchuck : Ideas, Museum of Northwest Art, LaConner, Washington |
| 2010 | The Secret Language of Animals, Tacoma Art Museum, Tacoma, WA Women in Glass: Innovators and Visionaries, Traver Gallery Seattle, WA |
| 2009 | 2009 Neddy Artist Fellowship, Tacoma Art Museum, Tacoma, WA |
| 2007 | Green Matters, Elliott Brown Gallery at SOFA Chicago Shy Boy, She Devil and Isis: The Art of Conceptual Craft from the Wornick Collection, Museum of Fine Arts, Boston, MA* Shattering Glass: New Perspectives, Katonah Museum of Art, Katonah, NY Craft in America: Expanding Traditions, Arkansas Art Center, Little Rock, AR * Behind Glass: Creativity and Collaboration, The Arts Center, St. Petersburg, FL |
| 2006 | Glass: Material Matters, Los Angeles County Museum of Art, Los Angeles, CA * Contrasts: A Glass Primer, Museum of Glass, Tacoma, WA One of a Kind: The Studio Glass Movement, Metropolitan Museum of Art, New York, NY A Transparent Legacy; The Jon and Mary Shirley Collection, Seattle Art Museum, Seattle, WA Two Media/Two Expressions, Springfield Museum of Art, Springfield, OH |
| 2005 | Taking Shape: Pilchuck Glass School in the 70s, Bellevue Arts Museum, Bellevue, WA Transformed by Fire: Sculpture in Glass from the Collection of Becky and Jack Benaroya, Seattle Art Museum, Seattle, WA |
| 2003 | Fire and Form, Norton Museum of Art, West Palm Beach, FL* |
| 2002 | Some Assembly Required, Museum of Glass, International Center for Contemporary Art, Tacoma, WA* Contemporary Directions: Glass from the Maxine and William Block Collection, Carnegie Museum of Art, Pittsburgh, PA * |
| 2001 | Primary Colors, Elliott Brown Gallery, Seattle, WA Lino e Amici, Fuller Museum of Art, Brocton, MA * |
| 2000 | Glass: A Celebration, Nancy Hoffman Gallery, New York, NY |
| 1999 | The Art of Craft: Contemporary Works from the Saxe Collection, M.H. de Young Memorial Museum, San Francisco, CA * A Passion for Glass, The Detroit Institute of Arts, Detroit, MI * Progressions in Glass, Contemporary Art Center of Virginia, Virginia Beach, VA |
| 1998 | A Feast For The Eye: Food In Art, M.H. de Young Memorial Museum, San Francisco, CA |
| 1997 | Heir Apparent: Translating the Secrets of Venetian Glass, Bellevue Art Museum, WA * Earth and Air, San Francisco Craft and Folk Art Museum, San Francisco, CA Recent Glass Sculpture: A Union of Ideas, Milwaukee Art Museum, Milwaukee, WI* Glass Today by American Studio Artists, Boston Museum of Fine Arts, MA * Glass Today: American Studio Glass from Cleveland Collections, Cleveland Museum of Art, Cleveland, OH* |
| 1996 | Annual Pilchuck Show: A Tribute to Lino, William Traver Gallery, Seattle, WA Studio Glass Master, Grand Central Gallery, Tampa, FL Invitational, Margo Jacobsen Gallery, Portland, OR Venezia Aperto Vetro, The Museo Correr, Venice, Italy * |
| 1995 | Garden of Delight, Tacoma Art Museum, Tacoma, WA Group Show, Anne Reed Gallery, Ketchum, ID Northwest Glass: Part I, Museum of Northwest Art, La Conner, WA |
| 1994 | Glass Masters, Helander Gallery, Palm Beach, FL World Glass Now '94, Hokkaido Museum of Art, Sapporo, Japan |
| 1993 | Contemporary Crafts and the Saxe Collection, The Toledo Museum of Art, Toledo, OH (traveling through 1995 *) Formed by Fire, The Carnegie Museum of Art, Pittsburgh, PA |
| 1992 | International Directions in Glass, The Art Gallery of Western Australia, Perth, Australia*
Glass 1962 to 1992, The Morris Museum, Morristown, NJ Clearly Art: The Pilchuck Legacy, Whatcom Museum of History, Bellingham, WA (traveling through 1995 *) Artists from Pilchuck Glass School, SeaTac International Airport, Seattle, WA |
| 1991 | Artists at Work, Cheney Cowles Museum, Spokane, WA and Boise Art Museum, Boise, ID* Frozen Moments: Glass Artists of the Northwest, Bellevue Art Museum, Bellevue, WA Studio Glass: Selections from the David Jacob Chodorkoff Collection, The Detroit Institute of Arts, Detroit, MI Get Real, The North Miami Museum of Contemporary Art, Miami, FL * World Glass Now '91, Hokkaido Museum of Modern Art, Sapporo, Japan * |
| 1989 | Figures of Translucence, Documents Northwest Series, Seattle Art Museum. WA * Group Show, Dorothy Weiss Gallery, San Francisco, CA Northwest Annual, Center for Contemporary Art, Seattle, WA |
| 1988 | Craft Today: Poetry of the Physical, American Craft Museum, New York, NY (traveling through 1991 *) Group Show, Betsy Rosenfield Gallery, Chicago, IL 25 Years as an Art Museum, Darmstadt Museum, Darmstadt, West Germany |
| 1987 | Contemporary American and European Glass from the Saxe Collection, American Craft Museum, New York, NY * For/Four Women, Great American Gallery, Atlanta, GA Group Show, Betsy Rosenfield Gallery, Chicago, IL Chicago International New Art Forms Exposition, Chicago, IL Contrasts and Reactions, Brunnier Gallery and Museum, Iowa State University, Ames, IA Sculpture in Glass and Works on Paper, University Art Collections, Arizona State University, Tempe, AZ * |
| 1986 | Contemporary American and European Glass from the Saxe Collection, Oakland Museum, Oakland, CA * |
| 1985 | Selection '85, American Craft Museum, New York, NY World Glass Now '85, Hokkaido Museum of Modern Art, Hokkaido, Japan * National Glass Invitational, Owens-Illinois World Headquarters, Toledo, OH |
| 1984-91 | Glass America, Heller Gallery, New York, NY |
| 1983 | Group Show, Betsy Rosenfield Gallery, Chicago, IL Vicointer '83, Valencia, Spain Contemporary American Glass, American Embassy, Prague, Czechoslovakia * |
| 1982 | American Glass Art: Evolution and Revolution, Morris Museum of Arts and Sciences, Morristown, NJ |
| 1981-90 | National Glass Invitational, Habatat Gallery, Lathrup Village, MI * |
| 1981 | Glaskunst '81, Kassel, West Germany * |
| 1980-90 | Annual Pilchuck Show, Traver Gallery, Seattle, WA |
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| Selected Bibliography (Chronological) | |
| Rossi-Wilcox, Susan. | Masters: Blown Glass. Sterling Publishing, New York/London. 2010 pp. 248-255. |
| Ward, Gerald | She Boy, She Devil And Isis, The Art of Conceptual Craft. MFA Publications. Museum of Fine Arts, Boston MA, 2009; pp 48. |
| Oldknow, Tina. | Voices of Contemporary Glass. The Corning Museum of Glass, Corning, NY. 2009 (See index for page numbers) |
| Lynn, Martha Drexler. | Sculpture, Glass, And American Museums. University of Pennsylvania Press, Philadelphia, PA 2005; pp.52-53, 203, 210. |
| McFadden, David R. | Dual Vision: The Simona and Jerome Chazen Collection. Museum of Arts & Design, New York, 2005; pp. 21, 94, 186. |
| Lynn, Martha Drexler. | American Studio Glass 1960-1990. Hudson Hills, 2004; pp.81 |
| Warmus, William. | Fire and Form, Norton Museum of Art, 2003; pp.72, 80-81 |
| Klein, Dan. | Artists in Glass: Late 20th Century Masters in Glass. Mitchell Beasley, London; 2001. |
| Yelle, Richard Wilfred. | Glass Art. Shiffer Publishing Ltd. 2000. pp. 120-121. |
| Micucci, Dana. | "Top 100 Treasures." Art & Antiques, March 1999, p. 78. |
| Glueck, Grace. | "In Glass, and Kissed by Light." The New York Times, August 29, 1997; Arts and Leisure, pp. B1, B26. |
| Joanne Silver. | "Magnifying Glass." The Boston Herald, August 15, 1997; Scene, pp. 12, 14. |
| Oldknow, Tina. | Pilchuck: A Glass School. In association with University of Washington Press, Seattle WA, 1996 (see index for page numbers). |
| Taragin, Davira S. | Contemporary Crafts and the Saxe Collection, 1994. Hudson Hills Press, New York, NY; pp. 59, 180, 199. |
| Waldrich, Joachim. | Who’s Who in Contemporary Glass; A Comprehensive World Guide to Glass Artists, Craftsmen, Designers, 1st edition, 1993/94. |
| Aronson, Margery. | "Translucent and Opaque: Women and Glass," Modernism & Beyond: Women Artists of the Pacific Northwest; Midmarch Arts Press, New York, 1993; pp. 48, 50, 52, 53. |
| Herman, Lloyd. | Clearly Art: Pilchuck’s Glass Legacy, Whatcom Museum of History and Art, Bellingham, WA, 1992; pp. 36, 44, 82-83. |
| Bell, Robert. | Design Visions. Art Gallery of Western Australia, Perth Western Australia, 1992; p.42. |
| Chambers, Karen S. | Trompe L’Oeil at Home. Rizzoli, New York, 1991; pp. 32, 33. Miller, Bonnie. Out of the Fire: Contemporary Glass Artists and Their Work. Chronicle, San Francisco, CA, 1991; pp. 50 - 53. |
| Hokkaido Museum of Art. | World Glass Now '91. Hokkaido, Japan, 1991; pp. 76 - 77, 218. |
| Frantz, Susanne K. and Spillman, June Shadel. | Masterpieces of American Glass, Crown Publishers, Inc., New York, 1990; pp. 70, 86. |
| Biskeborn, Susan. | Artists at Work, Alaska Northwest Books, Bothell, WA, 1990; pp. 10 - 15. |
| Miller, Bonnie. | "Double Vision," American Craft magazine, October, 1989; pp. 40 - 45. |
| Frantz, Susanne K. | Contemporary Glass: A World Survey from the Corning Museum of Glass. Harry N. Abrams, Inc. New York, 1989; pp. 83 - 84. |
| Klein, Dan. | Glass: A Contemporary Art. Rizzoli, New York, 1989; pp. 38, 39, 48, 75. |
| Heineman, Sr., Ben W. | Contemporary Glass: A Private Collection. The Falcon II Press, Inc., Chicago, IL, 1988; pp. 50 - 51. |
| Smith, Paul J. and Lucie-Smith, Edward. | Craft Today: Poetry of the Physical. American Craft Museum. Weidenfeld and Nicolson, New York, 1986; pp. 99. |
| Hammell, Lisa. | "The Highly Skilled Teamwork Behind the Master Craftsman." The New York Times, August 29, 1985; pp. C1, C6. |
| Chambers, Karen S. | "Partners in Glass," New Work, New York Experimental Glass Workshop, New York, Fall, 1985; pp. 8 - 9. |
| Hollister, Paul. | "Personification of Feelings: The Mace/Kirkpatrick Collaboration," Neues Glas magazine, Düsseldorf, Germany, 1/1984; pp. 14 - 19. |
| Glowen, Ron. | "Renewing the Vessel," Art Week, San Francisco, CA, December 17, 1983; p. 4. |
| Selected Public Collections | |
| Art Museum, Arizona State University, Tempe, Arizona, USA | |
| Broadfield Museum of England, London, England | |
| Charles A. Wustum Museum of Fine Arts, Racine, Wisconsin, USA | |
| The Cleveland Museum of Art, Cleveland, Ohio, USA | |
| Corning Museum of Glass, Corning, New York, USA | |
| Davis Wright Tremaine, Seattle/Bellevue, WA | |
| Dayton Art Institute, Dayton, Ohio USA | |
| The Detroit Institute of Art, the David Jacob Chodorkoff Collection, Detroit, Michigan, USA | |
| Hokkaido Museum of Art, Hokkaido, Japan | |
| Huntington Galleries, Huntington, West Virginia, USA | |
| International Glass Museum, Ebeltoft, Denmark | |
| Kitazawa Glass Museum, Kitazawa, Japan | |
| Leigh Yawkey Woodson Art Museum. Wausau, Wisconsin, USA | |
| Lowe Art Museum, Coral Gables, Florida, USA | |
| Metropolitan Museum of Art, New York, New York, USA | |
| M.H. de Young Memorial Museum, San Francisco, California. USA | |
| Microsoft Corporation, Redmond, Washington | |
| Mobile Museum of Art, Mobile, Alabama, USA | |
| Montgomery Museum of Fine Art, Montgomery, Alabama, USA | |
| Musee des Arts Decoratifs, Lausanne, Switzerland | |
| Museum of Art, Washington State University, Pullman, Washington | |
| National Museum of American Art, Renwick Gallery, Smithsonian Institution, Washington, D.C., USA | |
| Palm Springs Desert Museum, Palm Springs, CA | |
| Pilchuck Glass School, Stanwood, Washington, USA | |
| Portland Art Museum, Portland, Oregon, USA | |
| The Prescott Collection of Pilchuck Glass at U.S. Bank Centre, Seattle, Washington, USA | |
| SAFECO Collection, Seattle, Washington, USA | |
| Seattle Art Museum, Seattle, Washington, USA | |
| Sheraton Collection, Seattle, Washington, USA | |
| Speed Art Museum, Louisville, Kentucky USA | |
| Tacoma Art Museum, Tacoma, Washington, USA | |
| The Toledo Museum of Art, Toledo, Ohio, USA | |
more
| Honors and Awards | |
| 2009 Neddy Artist Fellowship Finalists | |
| 2005 Elected to American Craft Council of Fellows | |
| 2005 Seattle Design Achievement Award, Seattle Design Center and Seattle Homes and Lifestyle | |
| 2001 Libenský Award, Chateau Ste. Michelle, Woodinville, WA | |
| Professional Appointments | |
| 2006 | Interviewed for The Smithsonian Archives of American Art |
| 2001 | Artists in Residence, Pilchuck Glass School, Stanwood, WA |
| 1996 | Visiting Faculty, Toyama Institute of Glass, Toyama, Japan (Flora C. Mace) |
| 1994 | Faculty; Haystack Mountain School of Crafts, Deer Isle, Maine (Flora C. Mace) Guest Lecturers; Palm Springs Desert Museum, Palm Springs, California |
| 1993 | Visiting Faculty; University of Hawaii, Honolulu, Hawaii |
| 1991-2006 | Trustee: Pilchuck Glass School, Stanwood, Washington (Joey Kirkpatrick) |
| 1986-90 | Faculty; Pilchuck Glass School, Stanwood, Washington (summers) |
| 1987 | Artists in Residence; Pilchuck Glass School, Stanwood, Washington Guest Lecturers; National College of Art, Crafts and Design, Konstfack Stockholm, Sweden Guest Lecturers; Harbourfront Studios, Toronto, Canada Guest Lecturers; San Francisco State University, San Francisco, California |
| 1985 | Guest Lecturers; Norisk Glas '85, Reykjavik, Iceland Visiting faculty; Lobmeyr Factory/School, Vienna, Austria Faculty; Haystack Mountain School of Crafts, Deer Isle, Maine |
| 1984 | Artist in Residence assistants (Chris Wilmarth & Italo Scanga); Pilchuck Glass School, Stanwood, Washington |
| 1981-83 | Faculty; Pilchuck Glass School, Stanwood, Washington (summers) |
| 1981-82 | Faculty; University of Illinois, Champaign, Illinois |
| 1981 | Guest Instructor; University of California, Los Angeles, California |
| 1980 | Artists in Residence; Rhode Island School of Design, Providence, Rhode Island Artists in Residence; Pilchuck Glass School, Stanwood, Washington |